
Showing posts with label art history. Show all posts
Showing posts with label art history. Show all posts
Tuesday, February 12, 2013
1920s Japan

Labels:
aesthetic,
aestheticist,
aesthetics,
art history,
Boa Simon,
culture,
history,
Japan
Friday, February 1, 2013
Maria Montez
This post comes to us from artist and aestheticist satellite contributor Christopher Richmond, who keeps his own fascinating research blog, Something, Something, Hill of Bees.
Labels:
aesthetic,
aestheticist,
aesthetics,
art,
art history,
Chris Richmond,
cinema,
film
Thursday, January 31, 2013
Blue (1993)
Labels:
aesthetic,
aestheticist,
aesthetics,
art,
art history,
Boa Simon,
cinema,
color,
film,
phenomenology
Thursday, January 24, 2013
FireSides #1 - Part 1: Cellini's Rave
FireSides is a repository of histories, legends, and anecdotes. Many of these stories are based in fact, while others are only rumored to be true. Like the flickering campfire, these tales aim to briefly illuminate life's mysteries, fueling the flame of curiosity.
––––––––//––––––––
Here's what we know for sure:

Labels:
aesthetic,
aestheticist,
aesthetics,
art,
art history,
cellini,
culture,
David Applebee,
florence,
italy,
medici,
Medusa,
Perseus,
renaissance,
Statue of David
Tuesday, January 22, 2013
Tonträger: 60's Rock and Roll goes Krautward
The Berlin Wall performed more than just the geographical slicing of Berlin, it also neatly divided two distinct cultures, philosophies, and political ideologies for almost 30 years. During the Soviet stranglehold of the East, counter-cultural punk and rock bands rose, influenced by their Western counterparts, whom they viewed illicitly on banned radio and TV stations - and with more to fight against, namely the systematic pulverization of privacy by the government, they were arguably more authentic. After the Wall fell, the cultural vacuum kicked in. German punk became so ubiquitous it is now a tired cultural cliché.
America's powerful cultural influence on Germany continues to this day, but with Tonträger, a Berlin-based indie classic rock 'n' roll band, that inspiration reaches way back to rock's roots:
Labels:
aesthetic,
aestheticist,
aesthetics,
art history,
berlin,
Malachi Rempen,
music
The Face of Garbo
This post comes to us from artist and aestheticist satellite contributor Christopher Richmond, who keeps his own fascinating research blog, Something, Something, Hill of Bees.
Garbo still belongs to that moment in cinema when capturing the human face
still plunged audiences into the deepest ecstasy, when one literally lost
oneself in a human image as one would in a philtre, when the face
represented a kind of absolute state of the flesh, which could be neither
reached nor renounced. A few years earlier the face of Valentino was
causing suicides; that of Garbo still partakes of the same rule of Courtly
Love, where the flesh gives rise to mystical feelings of perdition.
Labels:
aesthetic,
aestheticist,
aesthetics,
art,
art history,
Chris Richmond,
cinema,
film
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