
Showing posts with label Boa Simon. Show all posts
Showing posts with label Boa Simon. Show all posts
Tuesday, February 12, 2013
1920s Japan

Labels:
aesthetic,
aestheticist,
aesthetics,
art history,
Boa Simon,
culture,
history,
Japan
Sunday, February 10, 2013
Soft Robotics & Explosive Chambers
Harvard's silicone based "soft robotics" research has produced some fascinating results; here's a soft-body robot designed with elastic chambers containing a methane / oxygen mix which combusts provided an electric charge. The combustion within the body of the robot causes a violent but reasonably controlled spasm, launching the robot into the air. Sweet.
Labels:
aesthetic,
aestheticist,
aesthetics,
Boa Simon,
design,
Harvard,
robotics,
Technology
Monday, February 4, 2013
日本の昔々
Labels:
aesthetic,
aestheticist,
aesthetics,
Boa Simon,
Japan,
Photography
Saturday, February 2, 2013
Our Relationship with the Written Word
Written word is one of the earliest forms of phenomenological design, a means to affect the presence of another person within the mind of the reader. It's a powerful and emotional phenomenon when executed by a skilled author, weaving engaging narratives and endearing, rich characters all from the simple context of a common written language.
Techniques in written word have been evolving since the advent of written language and technologies for the distribution of written word have matured over the ages to reach the mass market, but written word has always maintained a single fundamental feature: that the reader's copy of the material is static, non-interactive despite its faculty for delivering emotional depth. Even a written letter has a static nature, despite its purpose in demanding a response.
Techniques in written word have been evolving since the advent of written language and technologies for the distribution of written word have matured over the ages to reach the mass market, but written word has always maintained a single fundamental feature: that the reader's copy of the material is static, non-interactive despite its faculty for delivering emotional depth. Even a written letter has a static nature, despite its purpose in demanding a response.
Labels:
aesthetic,
aestheticist,
aesthetics,
art,
Boa Simon,
culture,
phenomenology,
Technology,
transmedia,
work ethic
Five Hundred and Seven Mechanical Movements
The most momentous and glorious discovery I have ever made on the internet.
Five Hundred and Seven Mechanical Movements is an online compendium of technical diagrams (even animations!) for five hundred and seven mechanical movements used in simple machines.
Fascinating and hypnotizing, it's a testament to the quintessential human faculty for engineering.
Five Hundred and Seven Mechanical Movements is an online compendium of technical diagrams (even animations!) for five hundred and seven mechanical movements used in simple machines.
Fascinating and hypnotizing, it's a testament to the quintessential human faculty for engineering.
One look is enough to make you want to drop everything and make like Michel Gondry. Anyone else ridiculously excited about Mood Indigo (L'écume des Jours) by the way?
Labels:
aesthetic,
aestheticist,
aesthetics,
architecture,
Boa Simon,
design,
diy,
engineering,
inspirational,
renaissance,
Technology,
workshop
Thursday, January 31, 2013
Blue (1993)
Labels:
aesthetic,
aestheticist,
aesthetics,
art,
art history,
Boa Simon,
cinema,
color,
film,
phenomenology
Tuesday, January 29, 2013
The Pokeymans Project: a Transmedia Experiment
Here's an excerpt from The Pokeymans Project, a prolific little tumblr where the author and illustrator, Noelle Stevenson, (whose webcomic NIMONA other tumblr are also awesome) takes a submitted description of a real, licensed Pokemon character and attempts to render the character with no other input.
Labels:
aesthetic,
aestheticist,
aesthetics,
Boa Simon,
design,
gaming,
transmedia,
video games
Sundance Winner IRISH FOLK FURNITURE
Labels:
aesthetic,
aestheticist,
aesthetics,
art,
Boa Simon,
cinema,
design,
film,
Ireland,
Sundance
Sunday, January 27, 2013
Color - Method of Action
Cool little color game to test your color acuity. Check it out!
Labels:
aesthetic,
aestheticist,
aesthetics,
Boa Simon,
color
What is Phenomenology?
Today we're going to talk about a concept you might already be fairly familiar with, even if you haven't had time for much critical thought on the subject before now. Phenomenology literally "the study of that which is apparent", is the study of experience established by Edmond Husserl in the early 20th century. Phenomena (that which appears or is apparent) was defined by Immanuel Kant in his 1781 "Critique of Pure Reason" by its contrast with noumena, a "thing-in-itself".
Labels:
aesthetic,
aestheticist,
aesthetics,
art,
Boa Simon,
cinema,
cinematography,
design,
philosophy,
psychology
Wednesday, January 23, 2013
Via r/Design: Simple, Easy Mockups
As efficient as it is to just sketch on your iPad or whatever I still feel there's still too much latency in the task: there's still a more direct mind-to-execution link drawing freehand, on paper or glass. The distribution convenience of the digital interface isn't a problem; it only takes a second to digitize the sketch with a camera phone.
The post is here. Cool.
Labels:
aesthetic,
aestheticist,
aesthetics,
Boa Simon,
design,
diy,
workshop
Tuesday, January 22, 2013
Phenomenology of the Beat: Neuroscience of Music
Fascinating article by Virginia Hughes at NGO's Phenomena details the research gathered by Dartmouth student Beau Sievers for his Master's thesis in Electroacoustic Music regarding the curious fact that the same regions of the brain activate while perceiving motion and perceiving music.
Sievers' thesis, which is available on his portfolio website, sourced its fundamental data from a program Sievers coded which would procedurally generate 16 seconds of musical tones or video of bouncing, shivering egg given certain adjustable parameters: tempo of tones or the egg's motion (beats per minute), variance from the set tempo (jitter), dissonance of scale or shivery wrinkling of the egg's skin (consonance), the harmonic distance from the current tone to the next tone or height of the egg's bounces (big/small interval probability), and the probability that the next tone will be higher or lower than the current, expressed by the egg as a lean forward or backward (up/down probability).
Sievers' thesis, which is available on his portfolio website, sourced its fundamental data from a program Sievers coded which would procedurally generate 16 seconds of musical tones or video of bouncing, shivering egg given certain adjustable parameters: tempo of tones or the egg's motion (beats per minute), variance from the set tempo (jitter), dissonance of scale or shivery wrinkling of the egg's skin (consonance), the harmonic distance from the current tone to the next tone or height of the egg's bounces (big/small interval probability), and the probability that the next tone will be higher or lower than the current, expressed by the egg as a lean forward or backward (up/down probability).
Labels:
aesthetic,
aestheticist,
aesthetics,
Boa Simon,
music,
science
Monday, January 21, 2013
Les Miserables: Group f/64 & Pictorialism
If you haven't seen Les Miserables yet, go see it. You may have some trouble adjusting to a head-to-toe, front-to-back musical. You certainly may cry. You also, if you're like me, may notice how seldom the gorgeous sets and blocking are delivered to us in wide shots.
Labels:
aesthetic,
aestheticist,
aesthetics,
art,
Boa Simon,
cinematography
豊前の家 in Fukuoka - Suppose Design Office
SUPPOSE DESIGN OFFICE built my mind-stretch of the day: a home in Fukuoka, Japan, that implies a tiny village of separate purpose-made structures in place of a unified shelter with separated rooms.
Labels:
aesthetic,
aestheticist,
aesthetics,
architecture,
Boa Simon,
design,
Japan
Oh Land: White Nights
It's been around for a bit but the music video for Oh Land's "White Nights" is a really well put together example of some of the new trends in art direction in the indie scene. Companies are getting comfortable sinking more of their money into outlandish projects and production costs are dropping: we're bound to see a lot more of this kind of richly art directed content.
Labels:
aesthetic,
aestheticist,
aesthetics,
Boa Simon,
experimental,
film,
music
Thursday, January 17, 2013
Scenes No. 001: La Nina del Desierto
I'm starting a series of posts, "Scenes," about scenes that I feel like I end up talking about a lot, exchanging stories with work buddies and debating ways to approach certain problems. Big shoots, small shoots, whatever's an interesting enough situation to talk about.
For my first Scenes post I wanted to talk about what we did back in 2009 for the climax of La Nina del Desierto, with director Malachi Rempen. This is old news to a lot of people but it's come up a couple times this week and it's old so I thought it'd make a good start.
For my first Scenes post I wanted to talk about what we did back in 2009 for the climax of La Nina del Desierto, with director Malachi Rempen. This is old news to a lot of people but it's come up a couple times this week and it's old so I thought it'd make a good start.
Labels:
aesthetic,
aestheticist,
aesthetics,
Boa Simon,
cinematography,
color,
film
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